演出预告｜交“响”辉映——成渝双城音乐会

演出预告

Performance Preview

乐季音乐会

“交‘响’辉映——成渝双城音乐会”

Season Concert “Chengdu & Chongqing”

2023年3月25日19：30

25 th Mar. 2023, 19:30

城市音乐厅·音乐厅

Chengdu City Concert Hall·Concert hall

2023年3月26日19：30

26 th Mar. 2023, 19:30

重庆大剧院

Chongqing Grand Theatre

｜指导单位｜

重庆文化和旅游发展委员会

成都市文化广电旅游局

｜主办单位｜

成都交响乐团

重庆演艺集团

｜承办单位｜

成都交响乐团

重庆节日交响乐团

重庆文化艺术职业学院

｜支持单位｜

四川欧美同学会留学人员联谊会文体旅专委会

指挥：林木森

（成都交响乐团常任指挥）

LIN Musen, conductor

乐队联合首席：吴博

（重庆节日交响乐团团长）

WU Bo, Co-Concertmaster

男高音：范竞马

（重庆文旅委特邀艺术家）

FAN Jingma, tenor

女高音：顾文梦

（成都籍歌唱家）

GU Wenmeng, soprano

购票链接

80 / 120 / 180 / 280 / 380 元

双人套 9折

三人套 8.5折

曲目单｜The program

米哈伊尔·格林卡：

“鲁斯兰与柳德米拉”序曲

Mikhail Glinka:

Ruslan and Ludmilla Overture

弗朗茨·莱哈尔：

维利亚之歌（选自歌剧《风流寡妇》）

Franz Lehar：

Vilja Lied from Opera Die lustige Witwe

罗格利诺·列昂卡瓦洛：

鸟儿在天空鸣叫（选自歌剧《丑角》）

Ruggiero Leoncavallo：

Stridono lassù from Opera Pagliacc

罗格利诺·列昂卡瓦洛：

间奏曲（选自歌剧《丑角》）

Ruggiero Leoncavallo：

Intermezzo from Opera Pagliacci

安东尼奥·罗西尼：

诺言

Antonio Rossini：

La Promessa

弗朗切斯科·托斯蒂：

小嘴唇

Francesco Paolo Tosti：

A Vuchella

贾科莫·普契尼：

咪咪和鲁道夫的二重唱《哦，多么可爱的姑娘》（选自歌剧《波西米亚人》）

Giacomo Puccini：

Duet between Mimì and Rodolfo “O Soave Fanciulla” from Opera La Bohème

/中场休息/

Intermission

安东宁·德沃夏克：

e小调第九交响曲“自新大陆”，作品95号

Antonín Dvoák:

Symphony No. 9 in E Minor "From the New World", Op. 95

I. 柔板 - 很快的快板

Adagio-Allegro molto

II. 广板

Largo

III. 谐谑曲：很活泼的

Scherzo：Molto vivace

IV. 火热的快板

Allegro con fuoco

/返场曲/

鲍元恺：

太阳出来喜洋洋

BAO Yuankai:

Happiness at sunrise

赵雷/刘力（改编）:

成都

ZHAO Lei / Arr. by LIU Li:

Chengdu

*演出曲目以现场为准

曲目导赏｜Program presentation

01

米哈伊尔·格林卡：

“鲁斯兰与柳德米拉”序曲

《鲁斯兰与柳德米拉》是俄国著名诗人普希金的一部长篇童话叙事诗。俄罗斯音乐之父格林卡于1842年根据这部诗剧创作了一部歌剧。歌剧的序曲旋律轻快、华丽，是音乐会经常上演的曲目。序曲采用奏鸣曲式写作而成。全曲从强有力的和弦开始，这是剧中武士的性格写照。呈示部主题源于歌剧终曲柳德米拉被鲁斯兰解救回到基辅时喜庆场面中的合唱，副部主题由大提琴演奏出，这是第二幕中鲁斯兰对柳德米拉倾诉爱情的咏叹调主题。展开部主部主题和副部主题的动机起伏呼应。再现部两个主题一一再现，动力化的再现似乎昭示着一种勇往直前的精神，全曲达到了新的高潮，在辉煌灿烂的尾声中结束了全曲。

02

弗朗茨·莱哈尔：

维利亚之歌（选自歌剧《风流寡妇》）

《维利亚之歌》是莱哈尔轻歌剧《风流寡妇》中抒情女高音的经典唱段。这首咏叹调出现在这部歌剧的第二幕：女主人安娜在她的花园里举行了一个盛大的招待会。她为宾客们演唱了一首优美动人的咏叹调《维莉亚之歌》，讲述了森林女神维莉亚用她那惊人的美貌诱骗一位猎人的神话故事。整首歌曲旋律优美抒情，情感婉转细腻，极富浪漫色彩，淋漓尽致地借题自喻，表达了女主人公内心的情感。

03

罗格利诺·列昂卡瓦洛：

鸟儿在天空鸣叫（选自歌剧《丑角》）

意大利真实主义作曲家列昂卡瓦洛作有二十余部正歌剧和轻歌剧，其中《丑角》是继马斯卡尼的《乡村骑士》后又一部杰出的意大利真实主义歌剧代表作，在如今的演出中经常与前者一同上演。剧中的男主角卡尼奥是一位乡村小戏班班主，擅长扮演丑角，演出喜剧。他的妻子女主人公内达也是他的小戏班的主要演员，剧情就从这位个主要人物之间的感情展开。这首《鸟儿在空中飞翔》是第一幕中女主人公内达的咏叹调，此时的她爱上了一位农村青年，这首咏叹调表达了她对新的感情又忐忑又向往的心情。

04

罗格利诺·列昂卡瓦洛：

间奏曲（选自歌剧《丑角》）

在歌剧第二幕开始之前，管弦乐团演奏了这首《间奏曲》。这段音乐开始于一种阴森压抑的气氛，随后弦乐奏出剧团演员托尼奥在歌剧开场白时撕心裂肺、凄美感伤的旋律。结尾时，团主卡尼奥在《穿上戏装》中的旋律再度响起，乐曲在令人震撼的高潮后陷入沉寂，随后悄然结束。这段极富感染力和冲击力的音乐，为悲剧性的歌剧增添了浓墨重彩的一笔。

05

安东尼奥·罗西尼：

诺言

《诺言》是意大利作曲家罗西尼的艺术歌曲，歌词文本的部分从意大利作家梅塔斯塔修的爱情小诗改编而来，内容主要表述的是男女之间对爱情的忠贞不渝。音乐上，这首单三部曲式的艺术歌曲在基调上整体都是活泼明朗的，频繁的强弱力度转换给人以明快炙热的感受，用直接简单的形式描绘出了男女主人公内心的悸动和对真挚爱情的颂唱。

06

弗朗切斯科·托斯蒂：

小嘴唇

《小嘴唇》是一首由意大利唯美派诗人加布里埃尔·邓南遮作词、弗朗切斯科·保罗·托斯蒂作曲的歌曲。这部歌曲诞生于1904年，正是拿波里民歌风靡之时，这首歌曲中也能听出浓郁的拿波里风格。恩里科·卡鲁索(Enrico Caruso)、罗贝托·穆洛罗(Roberto Murolo)和卢奇亚诺·帕瓦罗蒂(Luciano Pavarotti)在内的众多男高音歌唱家都曾演唱过这首作品。歌词简约朴素、清新自然，含蓄地表达出主人公的怜香惜玉之情。以一张小嘴借喻主人公心爱的姑娘，将小嘴比作一朵原本娇嫩、却因缺乏爱情滋润而干枯的玫瑰。主人公见此情景，愿用自己的一吻给纯洁的姑娘带去爱的甘醇。歌曲旋律悠扬舒缓，柔声细诉，恰如其分地烘托出主人公的怜香惜玉之心。

07

贾科莫·普契尼：

咪咪和鲁道夫的二重唱《哦，多么可爱的姑娘》（选自歌剧《波西米亚人》）

歌剧《波西米亚人》又名《艺术家的生涯》《绣花女》，是意大利真实主义歌剧作曲家普契尼于1896年创作而成的四幕歌剧。《啊，多么可爱的姑娘》是歌剧《艺术家的生涯》第一幕结束时，诗人鲁道夫与绣花女咪咪演唱的一首二重唱。绣花姑娘咪咪在鲁道夫家借到火并找到落下的钥匙，两人互相告白后、咪咪正要离去之时，楼下传来鲁道夫的室友——另外三位艺术家约酒的催促声，鲁道夫跑到窗口响应。回过头来的时候，只见窗外月光洒在咪咪的脸庞，鲁道夫一时情不自禁，用歌声赞美咪咪的美丽，而咪咪这时也陷入了爱情之中，和鲁道夫携手共同唱出了这首著名的二重唱。

08

安东宁·德沃夏克：

e小调第九交响曲“自新大陆”，作品95号

德沃夏克《第九交响曲“自新大陆”》创作于1893年，当时德沃夏克在美国纽约音乐学院任院长。这部交响曲通过鲜明的音乐形象和真切的情感，充分地表达了作者身处美洲“新世界”的种种感受和对遥远的祖国——捷克故乡的深切思念。这里既有对美国繁忙紧张的资本主义大都市生活的直接印象，也有阅读描写美洲印第安人生活的诗歌的深刻感受，但是作品的中心内容则是倾吐作者对捷克乡土的无限怀念之情。作品中虽然吸取了美国有色人种民间音乐的某些素材，但是整部交响曲仍然以捷克民族音乐特色而著称。交响曲由既对比又统一的四个乐章组成。

第一乐章集中表现了动荡不安的美国现实生活在作者心中引起的反响。乐曲开始由一段深沉缓慢地引子仿佛描写从遥远的海上眺望笼罩在云雾中的“新世界”（美洲大陆）的印象，随后号角声响起，仿佛即将到达新大陆前的预兆。奏鸣曲式的快板部分包括三个对比的音乐主题。主部主题由圆号奏出，音乐果断而坚定，具有强烈的感召力。这个号角式的主题后来贯穿在其他乐章中，起到了统一全曲的作用。副部主题类似捷克民间乐器风笛的演奏，具有乡间舞蹈特色。结束部主题显然吸取了美国黑人音乐的因素，由长笛首先奏出来。这个主题的出现造成一种清新的田园气氛。上述三个主题陈述以后，音乐转入了戏剧性的展开主部和副部主题交替出现，形成了紧张的矛盾冲突，充满了焦急不安的情绪。表明作者面临的异国环境与自己思念祖国的心情，不仅无法协调，而且冲突越来越强烈。

第二乐章这是一首诗意浓郁的抒情歌。促使作者创作这个乐章的直接原因，是阅读美国19世纪诗人朗费罗（Longfellow，1807～1882）描写印第安人生活的长诗《海华沙之歌》的感受和联想。作者借这个传奇的故事，尽力抒发了自己对捷克故乡的深切思念。乐曲一开始由管乐在低音区缓慢地奏出了一系列深沉的和弦，好似森林中的夜雾一般，把人们引进了一个美妙的境界。接着，在柔和的弦乐衬托下英国管吹出了具有五声音阶调式的动人曲调，表现了一种孤单、悲哀、恋恋不舍的情绪。这个优美的曲调后来被德沃夏克的一名美国学生费舍尔（W.A.Fisher）改编成一首名叫《念故乡》的填词歌曲，获得广泛流传。

第三乐章是一首快速的谐谑曲，在内容上和《海华沙之歌》有一定联系。开始的音乐使人联想到印第安人森林中的节日，第一主题先由木管轻奏，后用弦乐强奏，使人产生一种粗犷的男性舞蹈形象。后面出现的第二主题由长笛和双簧管演奏，形象好似女性的抒情歌舞。乐章的中段带有明显的连德勒舞曲的风格，这是流行于包括捷克农村在内的奥匈帝国广大地区的一种质朴幽雅的舞曲，它与前后的异国风味的主题形成了鲜明的对比。

末乐章是整部交响曲戏剧性发展的最高潮，也是全曲的概括和总结。这里包含了丰富的艺术形象。末乐章仍采用奏鸣曲式结构。主部主题由圆号和小号昂扬地奏出，它具有悲壮的进行曲的特征，象征捷克民族英勇不屈的战斗精神。连结部主题由急促的三连音音型构成，它好似斯拉夫人的民间轮舞，热烈而豪迈。副部主题由单簧管奏出，它犹如一首朴素的捷克民歌，抒情而富于幻想，流露出深深的乡愁感。结束部主题由长笛和小提琴奏出，再次呈现出民族节庆欢腾歌舞的形象。此外，末乐章还引入前面三个乐章的基本主题。通过众多的音乐主题的对比交织，构成了五彩缤纷的图景，将作曲家思绪万千的内心活动表达得淋漓尽致。在这一乐章中，异国情调大大减弱，占压倒优势的是捷克民族民间音乐的风格。从这一点也可以看出，德沃夏克在这部交响曲中所力图表达的中心内容是对他的祖国——捷克的思念和歌颂。

艺术家简介 | Artists introduction

指挥：林木森

林木森，成都交响乐团常任指挥。

《音乐周报》《交响世界》等媒体曾这样评价他的指挥：“诠释作品结构清晰，处理用心，音乐有情绪而不滥情。” “他在艺术的感知能力与审美趣味上，大大超越同龄人。”“林木森或将会是来自天府之国的第一位中国杰出指挥新秀。”

林木森于四川音乐学院师从邱正桂教授、朱其元教授，于“中国青年指挥人才计划”师从俞峰教授。并先后入选了“第三届厦门郑小瑛教授指挥班”、“第二、三届上海音乐学院国际指挥大师班”、“第一届阿拉木图国际指挥比赛”、“第十届布加勒斯特国际指挥比赛”等，广受好评。

林木森作为客座指挥与中央歌剧院交响乐团、中央音乐学院交响乐团、中国歌剧舞剧院交响乐团、上海歌剧院交响乐团、深圳交响乐团、苏州交响乐团、贵阳交响乐团、厦门爱乐乐团、昆明聂耳交响乐团、河南交响乐团、重庆交响乐团、宁夏交响乐团、四川爱乐乐团、四川交响乐团、四川音乐学院交响乐团等均有良好合作。

向上滑动阅览

LIN Musen， Conductor in Residence of Chengdu Symphony Orchestra.

Music Weekly, Symphony World and other media have commented on his conducting: "Interpreting works with clear structure and handling with care, his music has emotion without being abusive." "He greatly surpasses his peers in artistic perceptiveness and aesthetic interest." "Lin Musen may be the first outstanding new Chinese conductor from the Land of Abundance (Chengdu)."

Lin Musen has studied with Prof. Qiu Zhenggui and Prof. Zhu Qiyuan at the Sichuan Conservatory of Music, and with Prof. Yu Feng at the China Young Conductor Talent Program. He was selected for the 3rd Xiamen Zheng Xiaoying Conducting Class, the 2nd and 3rd Shanghai Conservatory of Music International Conducting Master Class, the 1st Almaty International Conducting Competition, and the 10th Bucharest International Conducting Competition, etc., and his performance was highly approved by the critics.

As a guest conductor, Lin Musen has performed with numerous orchestras and enjoyed close cooperation with them, among which are the Central Opera House Symphony Orchestra, Central Conservatory of Music Symphony Orchestra, China National Opera and Dance Drama Theatre Symphony Orchestra, Shanghai Opera House Symphony Orchestra, Shenzhen Symphony Orchestra, Suzhou Symphony Orchestra, Guiyang Symphony Orchestra, Xiamen Philharmonic Orchestra, Kunming Nieer Symphony Orchestra, Henan Symphony Orchestra, Chongqing Symphony Orchestra, Ningxia Symphony Orchestra, Sichuan Philharmonic Orchestra, Sichuan Symphony Orchestra, and Sichuan Conservatory of Music Symphony Orchestra, etc.

乐队联合首席：吴博

1980出生于重庆，自幼学习小提琴。

1990-1999，获奖学金就读上海音乐学院附小附中。先后师从赵基阳，方蕾，俞丽娜，郑石生等诸位教授。在校期间，同时随丁芷诺教授修习室内乐四重奏。1997年随上海音乐学院附中赴法国巡演。

1999-2003，获得奖学金就读中央音乐学院，师从王振山教授。2003年获得学士学位。在校期间担任中央音乐学院青年交响乐团首席，在国内广泛巡演。2001年参加小泽征尔—罗斯特罗波维奇大师班，得到两位大师指点，并同台演出。

2003-2010年加入中国交响乐团（文化部直属院团），期间广泛在国内巡演，多次赴美国，澳大利亚，德国，韩国，日本等地演出，并顺利在纽约林肯中心，莫斯科克林姆林宫，东京三得利音乐厅，平壤万景台等地顺利完成演出。期间合作的指挥家包括：小泽征尔，迪图瓦，罗日捷文斯基，哈丁，等；独奏家包括：索菲穆特，麦斯基，沙汉姆，马友友，阿格里奇，朗朗，等。

2010年获得南加州大学（USC）Schoenfeld奖学金和Thronton奖学金，赴美留学深造，师从德裔美国小提琴教授Alice Schoenfeld和日裔美国小提琴家Midore Goto，获得硕士学位。

2012至2015加入纽约爱乐终身首席Glenn Dicterow（任期从1980-2015）在曼哈顿音乐学院（Manhattan School of Music）设立的乐队表演艺术项目（Orchetra Performance Program），师从Glenn Dicetrow，获硕士学位。期间同时得到旧金山交响乐团，伦敦爱乐团，大都会歌剧院乐团，波士顿交响乐团等等诸位首席指点。其间担任曼哈顿交响乐团首席，以客席身份参加纽约爱乐和大都会歌剧院演出。2015-2021加入广州交响乐团，担任乐团联合首席。期间完成重要首席独奏有：查拉图斯特拉如是说，西班牙狂想曲，天方夜谭，资产阶级绅士等，担任独奏音乐会有莫扎特双小提琴协奏曲，布宜诺斯艾利斯的四季，重要政治演出任务有：香港回归20周年，祖国70年大庆天安门前庆典演出等。

2021，受命于重庆文旅委，担任重庆节日交响乐团团长兼任首席，并同时组建了“重锦弦乐四重奏”。

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Wu Bo, born in Chongqing in 1980, he studied violin since childhood.

From 1990 to 1999, he was awarded a scholarship to attend the Shanghai Conservatory of Music Primary School. He studied with Professors Zhao Ji Yang, Fang Lei, Yu Lina, Zheng Shisheng and others. In 1997, he toured France with the Shanghai Conservatory of Music.

From 1999 to 2003, he received a scholarship to study at the Central Conservatory of Music under Professor Wang Zhenyan, and received his bachelor's degree in 2003. In 2001, he participated in the master class of Seiji Ozawa-Rostropovich and received instruction from both masters and performed together.

From 2003 to 2010, he joined the China Symphony Orchestra (an orchestra directly under the Ministry of Culture) and toured extensively in China, and performed in the United States, Australia, Germany, Korea, Japan, and other places. He has performed with conductors such as Seiji Ozawa, Detouit, Rozhdjevinsky, Harding, etc., and soloists such as Sofimut, Maisky, Shaham, Yo-Yo Ma, Aggelich, Lang Lang, etc.

In 2010, he received the Schoenfeld Scholarship and Thronton Scholarship from the University of Southern California (USC) to study in the United States, where he received his master's degree from German-American violin professor Alice Schoenfeld and Japanese-American violinist Midore Goto.

From 2012 to 2015, he joined the New York Philharmonic Lifetime Principal Glenn Dicterow's (1980-2015) Orchetra Performance Program at the Manhattan School of Music, where he studied with Glenn Dicetrow and received his MFA. Dicetrow, where he received his master's degree. During this time, he received instruction from the San Francisco Symphony, the London Philharmonic, the Metropolitan Opera Orchestra, the Boston Symphony Orchestra, and other principals. He was the principal of the Manhattan Symphony Orchestra and performed as a guest with the New York Philharmonic and the Metropolitan Opera.

From 2015-2021, he joined the Guangzhou Symphony Orchestra as co-concertmaster. During this period, he completed important principal solos such as: Also Sprach Zarathustra, Spanish Rhapsody, Scheherazade, Bourgeois Gentleman, etc. He performed solo concerts such as Mozart Double Violin Concerto, Four Seasons in Buenos Aires, and important political performance assignments such as: 20th anniversary of Hong Kong's return to China, and the performance in front of Tiananmen Square for the 70th anniversary of the motherland.

In 2021, he was appointed by Chongqing Cultural Tourism Commission as the leader and principal of Chongqing Festival Symphony Orchestra, and at the same time formed the "Chongjin String Quartet".

男高音：范竞马

范竞马在1987年英国第三届卡迪夫国际声乐比赛中荣获水晶杯奖(男声组第一名)并由此举世闻名。著名男高音歌唱家多明戈为此而誉他为“近十年来在欧洲罕见的男高音”；此后他又连续获得第二届罗萨·庞赛尔国际声乐比赛银奖（纽约，1988）、纽约歌剧精粹声乐比赛金奖（1991）、和帕瓦罗蒂国际声乐比赛决赛奖（费城，1995）。

范竞马1982年毕业于四川音乐学院并留校任教，随后入中央音乐学院声歌系继续攻读。荣获1984年中央电视台首届青年歌手电视大奖赛第名使他在中国一举成名并于1987年赴意大利去追寻他的学习美声梦想。其间他就学于意大利帕尔玛威尔第音乐学院，师从著名男高音卡洛·苯岗奇；(Carlo Bergonzi），随即又于1991年赴美国纽约朱利亚音乐学院歌剧中心研习并于1992-1993年跟随世界顶级男高音佛朗科·科来里（Franco Corelli）深攻美声唱法。

范竞马主演的主要歌剧 包括浮士德(Faust，古诺)、唐·卡洛(Don Carlos)、 拉莫莫的露琪亚(Lucia di Lammermoor)等四十余部。同时也是银屏上的出色演员，他在1995年电影版歌剧《蝴蝶夫人》 (Sony Classical Film, Frederic Mitterand导演、 James Conlon 指挥, 黄英、 Richard Troxell主演)中扮演的五郎甚至赢得了《歌剧今日》杂志“值得被奥斯卡奖提名”的赞誉。近年来范竞马不辞辛苦地尝试和推广中国新歌剧，2002-2005年间他就首演了五部最新创作的中国歌剧。 范竞马同时还是一位成果辉煌的独唱家，被誉为富有宽阔的音域、温暖的音色、轻松自如的灵活性、忠实于原作的诠释和无暇的台风。

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Fan Jingma came to international attention as a prize winner at the Third Cardiff Singer of the World Competition in 1987, upon which Placido Domingo commented as “a tenor rarely heard in Europe during the past decade,” which was followed by the Silver Medal at the Second Rosa Ponselle International Vocal Competition (NYC, 1988), the First Prize at the Opera Index Vocal Competition (NYC, 1991), and the Finalist Award at the Luciano Pavarotti International Vocal Competition (Philadelphia, 1995).

After having graduated from the Sichuan Conservatory of Music in his native China in 1982, Fan Jingma stayed on as a professor of voice. He became a national celebrity overnight after winning China’s First Televised National Youth Vocal Competition in 1984. He went to Italy in 1987 and studied at the Conservatorio Arrigo Boito di PARMA, where he refined his bel canto technique under the guidance of Carlo Bergonzi, and then went on to the Juilliard School of Music to further his education in 1991 and studied with the famed tenor, Franco Corelli, from 1992-1993 while in New York.

Fan Jingma’s major operatic repertoire includes the title roles in Faust, Don Carlos, Lucia di Lammermoor, La Boheme, among the over 40 operas and operettas. Fan has performed on the stage of major opera houses around the world, and his portrayal of Goro in the 1995 releaseof the film version of Madame Butterfly (Sony Classical Film, directed by Frederic Mitterand with James Conlon conducting, starring Ying Huang and Richard Troxell) gained high acclaim and was reviewed as “worthy of an Oscar nomination” by Opera Now Magazine. Fan Jingma also makes great efforts to champion new Chinese operas and performed the title roles in five opera premiers between 2002 and 2005.At the same time, Fan Jingma is an accomplished soloist and recitalist and is praised for his wide vocal range, warm timbre, effortless agility, truthful interpretation of the original work, and commanding stage presentation.

女高音：顾文梦

顾文梦，旅欧青年女高音，英国伦敦音乐经纪公司Onlystage签约歌唱家，帕尔玛皇家音乐学院硕士。2016年本科毕业于上海音乐学院，师从于次女高音歌唱家、上海音乐学院声歌系副主任黄萱。现就读于上海音乐学院攻读博士学位，师从于著名男中音歌唱家、博士生导师、上海音乐学院院长廖昌永。

近年来其演出足迹遍布世界各地。2018年4月代表意大利帕尔马皇家歌剧院青年艺术家赴佛罗伦萨Fondazione Franco Zeffirelli 成功举办了威尔第专场音乐会；同年9月参加在意大利摩德纳帕瓦罗蒂歌剧院参加纪念帕瓦罗蒂逝世11周年纪念音乐会；同年10月参加2018年意大利威尔第国际音乐节的十余场音乐会；同年11月与世界著名指挥家Oleg Caetani和米兰威尔第交响乐团合作。2019年1月在中国淄博大剧院与意大利著名指挥家Alessandro D’Agostini 合作出演莫扎特的歌剧《唐璜》中安娜一角。2019年7月在意大利的三座不同城市与意大利著名指挥家Roberto Gianola合作巡演威尔第的歌剧《茶花女》中薇奥蕾塔一角。在欧洲期间，多次在意大利和瑞士成功举办个人独唱音乐会。

自2017年起，在意大利多次获得各大国际声乐赛事的奖项，例如2017第二十二届意大利Fraschini国际声乐比赛第一名；2018年意大利第三届Andrea Chénier国际声乐比赛第三名和以作曲家Umberto Giordano命名为的最佳作品演唱大奖；2018年意大利首届Giovani Talenti国际声乐比赛第一名；2018年意大利Pienza国际声乐比赛的由帕瓦罗蒂音乐协会颁发的最具潜力年轻歌手奖。2019年2月在意大利举办的第十五届Concorso Internazionale per giovani voci liriche "Flaviano Labò"国际声乐比赛荣获第一名。2019年第五十七届意大利布塞托“威尔第之声”国际声乐比赛（中国赛区）第一名及特别奖，荣获19年意大利威尔第国际音乐节和两部歌剧的主要角色，并且代表中国参加在意大利布塞托举行的总决赛，荣获第二名及威尔第特别奖最佳女声奖两项大奖。

2020年9月受邀参加意大利帕尔马威尔第歌剧节，在歌剧《茶花女》中饰演女主角Violetta维奥蕾塔，成功巡演5场并受到一致好评，因此还登上欧洲主流歌剧杂志Opera-Charm，为首位华人登上此杂志。2020年10月24日受邀在北京音乐厅与中国交响乐团，著名指挥家李心草合作，成功出《聆赏经典》歌剧“茶花女”音乐会，饰演女主角Violetta维奥蕾塔，获业内外一致好评。2021年12月与著名指挥家张洁敏合作，在上音歌剧院成功出演上海音乐学院制作的《茶花女》Violetta 一角。

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Gu Wenmeng, a young soprano works and studies in Europe, a signed Opera singer of the London music agency Onlystage, UK, and a master of the Royal Academy of Music in Parma.In 2016, she graduated from Shanghai Conservatory of Music and studied under Mezzo Soprano Huang Xuan(deputy director of the Department of Vocal Songs of Shanghai Conservatory of Music).Now she studying for a doctor's degree at the Shanghai Conservatory of Music, under the guidance of Liao Changyong, a famous baritone singer, doctoral supervisor and president of the Shanghai Conservatory of Music.

In recent years, Her performances have spread all over the world. In 2014, she participated in the Shanghai Comedy Festival and played the role of Pamina in Mozart's opera "Magic Flute"; In December of the same year, at the invitation of the Italian Genoa Municipal Government, the Auditorium of Sant'Agostino in Genoa in cooperation with the famous Italian conductor Marco Zambelli; In 2015, she participated in the Puccini Music Festival held at the Italian Theatre in Rome, and played the role of Mimi in Puccini's opera “La Bohème ”In December of the same year, she costarred in the role of the Countess in Mozart's opera "The Marriage of Figaro" with the famous Chinese conductor Zhang Chengjie, the famous Italian opera house permanent conductor Umberto Finazzi and the famous Italian director Marco Gandini at the Shanghai Oriental Art Center; In December of the same year, She participated in the second Baroque International Music Festival in Shanghai, and worked with the French Flaming Opera Orchestra and the Shanghai Symphony Orchestra led by the famous conductor David Stern in the Shanghai Symphony Hall, and served as a soprano solo in Mozart's ure song “Ecxultate”K.165; In 2016, she participated in the Beijing Xige Drama Festival and cooperated with the famous director Li Wei to play the role of Lauretta in Puccini's opera “Gianni Schicchi ”In April 2018, on behalf of the young artists of the Royal Opera House of Parma, Italy, she successfully held the Verdi special concert in Fondazione Franco Zeffirelli, Florence; In September of the same year, she was invited by the Italian Pavarotti Opera Association to participate in the concert commemorating the 11th anniversary of Pavarotti's death at the Pavarotti Opera House in Modena, Italy; In October of the same year, she participated in more than ten concerts of the 2018 Italian Verdi International Music Festival; In November of the same year, in cooperation with the world-famous conductor Oleg Caetani and the Milan Verdi Symphony Orchestra, he performed Verdi's Requiem "Messa di Requiem" as a soprano solo at the La Verdi - Condazione Carlo Concert Hall in Milan. In January 2019, she costarred in the role of Anna in Mozart's opera “Don Giovanni ”with Alessandro D'Agostini, a famous Italian conductor, at the Zibo Grand Theater in China. In July 2019, she costarred the role of Violetta in Verdi's opera La Traviata in three different Italian cities in cooperation with the famous Italian conductor Roberto Gianola. During her stay in Europe, she has successfully held solo concerts in Italy and Switzerland for many times. Since 2017, she has won many awards in major international vocal music competitions in Italy, such as the third place in the Italian Salice D'oro International Vocal Music Competition; 2017 Italy's first Bellano International Vocal Music Competition Most Potential Young Singer Award; Special Award of Fiorenza Cossotto International Vocal Competition in Italy in 2017; First place in the 22nd Italian Fraschini International Vocal Competition 2017; The third place of the third Andrea Ch é nier International Vocal Music Competition in Italy in 2018 and the best works singing award named after composer Umberto Giordano; First place in the first Giovani Talenti International Vocal Competition in Italy in 2018; The most promising young singer award awarded by the Pavarotti Music Association in the 2018 Pienza International Vocal Music Competition in Italy. The 15th Concorso Internazionale per giovani voci liriche "Flaviano Lab ò" International Vocal Competition held in Italy in February 2019 won the first prize. In 2019, he won the first and special prize of the 57th "Verdi Voice" International Vocal Music Competition (China Division) in Buceto, Italy, won the main role of the two operas "I due Foscari" and "Luisa Miller" in the 19th Verdi International Music Festival in Italy, and represented China in the finals held in Buceto, Italy, and won the second and the Verdi Special Award for Best Female Voice. In September 2020, he was invited to participate in the opera festival of Palmarville, Italy, and played the heroine Violetta Violetta in the opera "La Traviata". She successfully toured five times and received unanimous acclaim. Therefore, she also appeared in the mainstream European opera magazine Opera Cham, the first Chinese to appear in this magazine. On October 24, 2020, she was invited to cooperate with the Chinese Symphony Orchestra and the famous conductor Li Xincao at the Beijing Concert Hall, and successfully performed the opera "La Traviata" concert of "Listening to the Classic", playing the heroine Violetta Violetta, which was highly praised both inside and outside the industry. In December 2021, in cooperation with the famous conductor Zhang Jiemin, she successfully performed the role of Violetta, the "La Traviata" produced by the Shanghai Conservatory of Music at the Shanghai Conservatory of Music.

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资料 | 李茜云 左欢欢 郭美辰

撰稿｜张听雨

编辑 | 何春晓

校对 | 蔡瑶 丁姝琪